BIKINI WORDS at 14th Sedicicorto International

Posted by on Oct 10, 2017 in DOCUMENTARY, News, Video | No Comments

BIKINI WORDS will play at the 14th Sedicicorto International Film Festival on October 11th 2017.

Sedicicorto International Film Festival, born in 2004, is a short film festival held every year in the month of October in Forlì close to Bologna, Italy. It boasts submissions from all over the world by filmmakers mainly dealing with short films. The event aims at drawing the attention not only of the filmgoers, but also of the audience interested in the audiovisual world, within an occasion promoting the exchange of ideas.

BIKINI WORDS plays out of competition in the Experia section of the 14th Sedicicorto International Film Festival, which contains a selection of experimental short films. Together with Werner Biedermann’s JAMAIS VU, Tim Weimann’s UNITED INTEREST, Eileen Byrne’s IRIDESCENE and Benjamin Bardou’s GLORIA VICTIS, BIKINI WORDS will play at Biblioteca Aurelio Saffi (Corso della Repubblica 72 – Forlì) on Wednesday Oct. 11th at 5pm.

BIKINI WORDS focuses on new vocabulary, which evolved amongst factory workers during the rapid industrialisation of South Korea throughout the 1970s and 1980s in order to put names to the radically new aspects of their urbanised lives.

Posted by on Sep 27, 2017 in DOCUMENTARY, News, Promo | No Comments

Last Letters, One Screen, Finalist, Film Festival

Finalist
LAST LETTERS has been shortlisted as a finalist in the documentary category of the One Screen Short Film Festival 2017.

About the One Club
One Screen is the original film festival for the creative community by the creative community. It’s the premiere festival that unites the film and advertising world on One Screen. The One Club for Creativity, producer of the prestigious One Show, ADC Annual Awards and Creative Week, is the world’s foremost non-profit organization recognizing creative excellence in advertising and design. The ADC Annual Awards honors the best work in terms of craft, design and innovation across all disciplines, including Advertising, Digital, Design and Motion. Creative Week takes place in New York City every May and is the preeminent festival celebrating the intersection of advertising and the arts.

The One Club and ADC announced their merger last fall to form The One Club for Creativity, which serves as the umbrella organization for The One Show, ADC Awards, Young Guns, Young Ones, Creative Week, One Screen, Hall of Fame and a wide range of global education and diversity programs. The new entity celebrates the legacy of creative advertising and design, and uses that legacy to inspire future generations.

The awards shows each have their distinct focus: the ADC Annual Awards maintains its historical concentration as the champion for craft, design and innovation, while The One Show continues its focus on creativity of ideas and quality of execution.

The Line Up
I am honoured that LAST LETTERS is part of this year’s strong documentary section line up by competing with exciting films like Anderson Wright’s NZINGHA, Joris Debij’s PERFECTLY NORMAL, Henry Busby’s THE UNBELIEVERS: BURNELL COTLON, Keith Rivers’s THE QUIET MAN, FCB Chicago’s THE UNFORGOTTEN, Wild Breed Productions NEPAL: A FRAGILE STATE, Supply & Demand’s PICKLE and Jon Bunning’s THE TABLE.

The Event and Tickets
Winners will be recognized at the awards ceremony on October 17 at Sunshine Cinema (143 East Houston Street), a Landmark Theatre in New York City’s Lower East Side. You can now secure your tickets if you tickets. Doors will open at 6:30 pm and the screening starts at 7:00 pm. After the event there will be a networking reception from 9:00 pm onwards. Ticket prices are $US 15 for members and $US 20 for non-members. Drinks and hors d’oeuvres will be served following the screening.

Last Letters
On the 16th of April 2014 a ferry en route from Incheon to Jeju Island in Korea capsized. 304 out of 476 passengers and crew members died in this tragic accident. LAST LETTERS follows eight families that lost loved ones that day, and explores the physical and emotional spaces that the tragedy left behind. The film juxtaposes documentary and fictional elements. It shines a light on this still unsolved tragedy and shows the isolation the families feel while they pose for an incomplete family portrait.

Vimeo Staff Pick for PLASTIC GIRLS

Posted by on Jul 28, 2017 in DOCUMENTARY, News, Review, Video | No Comments

PLASTIC GIRLS has been selected as a VIMEO STAFF PICK. This totals 6 Staff Picks during the past 6 VIMEO years! So far VIMEO has been an amazing platform and I am truly thankful for all their support. Also I would like to thank everyone, who has been actively supporting me as a filmmaker. All those collaborations throughout the years have been very inspirational and taught me a hell of a lot. A big shout-out to everyone involved!

PLASTIC GIRLS. A short documentary

Posted by on Jul 26, 2017 in DOCUMENTARY, News, Review, Video | No Comments

Following BIKINI WORDS and LAST LETTERS, PLASTIC GIRLS is the last part of a Korea based trilogy with a strong focus on issues relating to space and architecture.

I not only feel that PLASTIC GIRLS complements both BIKINI WORDS and LAST LETTERS well within the trilogy, but it also stands out as a film on it’s own due to its unique subject matter and a thoughtful audio visual approach. Ranging between documentary and fiction, it addresses gender issues through a unique document that illustrates one aspect of the sexualisation of public space.

Differences in gender equality between South Korea and other places in the West are significant. Since I moved to Korea in late 2005, I have been confronted with those disparities in my day to day life. But as a foreigner, how do we and how should we address our concerns about something we personally disagree with? The longer I lived away from home, the more I started to really understand that the way a society is structured, is deeply rooted within its culture and history. In a way this is obvious. But still, as an expat it is easy to drift away from the culture you once decided to live in after encountering elements of the host country’s way of life that you find disagreeable. This insight can stop one from bashing the culture and instead lead one to be more accepting of the way society shapes people’s lives. But then by the same token, what kind of criticism can you possibly engage yourself in, if you live in a society, which is so different from your own and possibly conflicts with your beliefs?

PLASTIC GIRLS is not a film that intends to be offensive towards South Korean society or make it look like gender inequality is an issue only with regard to this nation. Despite references to Korean society and culture, I want to make more of a general statement regarding gender inequality. The sexualization of public space, which is the focus of the film, I believe, illustrates a more global tendency, which in general should be of concern. By choosing plastic mannequins as the very peculiar main subjects of the film, I intend to make the audience feel uncomfortable, but also give them enough room to reflect on the sexualisation of public space on a conceptional level rather than specifically within the context of South Korean society. It is my intention to create a certain awkwardness without being directly offensive towards anybody or by utilising national stereotypes. Even though this film is shot in Korea and references various distinct Korean public spaces, I really hope that this film speaks to an international audience and not only makes us look at gender misbalances in Korea, but allows us to reflect on how the culture produces a certain view of women in general and how we think about an on-going trend regarding a sexualisation of public space.

Thank you very much for your interest in this film!

LAST LETTERS on THE ATLANTIC

Posted by on Dec 29, 2016 in DOCUMENTARY, MUSIC VIDEO, Review, Video | No Comments

After the short documentaries CHOA and BIKINI WORDS now also LAST LETTERS has been featured as an Editor’s Pick by The Atlantic. Thanks to Nadine Ajaka for showcasing the video! LAST LETTERS is a journey through loss, space and memory. The film commemorates the victims of the tragic Sewol ferry accident, in which 304 out of 476 passengers and crew members died in 2014.

LAST LETTERS on SHORT OF THE WEEK

Posted by on Dec 29, 2016 in DOCUMENTARY, MUSIC VIDEO, Review, Video | No Comments

LAST LETTERS has been selected as a SHORT OF THE WEEK ! Each day the prestigious online platform Short of the Week features one handpicked film, which they consider to be among “the greatest and most innovative stories from around the world”. This way Short of the Week has been serving up epic, bite-sized films to millions around the world since 2007. Please follow this link to watch LAST LETTERS on Short of the Week and have a look at Jason Sondhi’s much appreciated review (right below the film).

LAST LETTERS. A short documentary

Posted by on Dec 12, 2016 in DOCUMENTARY, MUSIC VIDEO, Video | No Comments

On the 16th of April 2014 a ferry en route from Incheon to Jeju Island in Korea capsized. 304 out of 476 passengers and crew members died in this tragic accident. This short film follows eight families that lost loved ones that day, and explores the physical and emotional spaces that the tragedy left behind. The film juxtaposes documentary and fictional elements. It shines a light on this still unsolved tragedy and shows the isolation the families feels while they pose for an incomplete family portrait.

More than 2 1/2 years have passed since the Sewol ferry tragedy, which took place on the 16th of April 2014. This day has marked a black day on the Korean calendar ever since for many people. Korea has not been the same again.
Many of the remaining family members of the victims have become engaged in activism due to dissatisfaction with the Korean government and how they handled the tragedy. Nine of the victim’s bodies have never been recovered while the government failed to retrieve the shipwreck to carry out a full investigation. Many people in Korea, not just those affected directly by the tragedy, have many questions about the circumstances of the accident and who should be held responsible for the loss of so many innocent lives. Several Korean filmmakers have tackled the Sewol disaster to examine how this could have happened. And since these documentaries are investigative, I felt I would rather like to create something from a different point of view.

As most of my work is inspired by space and architecture, the living spaces of the remaining family members became the focus of this film. I also wanted to make a documentary film with fictional elements and more of a poetic approach, which hopefully speaks to the families instead of stirring up their anger with hard facts. I hope that this is a film which could bring them some measure of peace in relation to their lost loved ones.

I really hope that this film speaks to the families, but also makes a bigger international audience aware of this dark day in Korean history. This is something the families, who have been abandoned by the Korean government in their search for the truth, are really hoping for.

(Nils)

JOURNEY TO LADAKH. A Samsung Promo

Posted by on Nov 18, 2016 in COMMERCIAL, Promo, Video | No Comments

Three different characters on a journey through the rugged beauty of the Himalayan landscape in and around the town of Leh. As their paths cross we are shown how technology and tradition go hand in hand in this remote part of the world.

CONTENTED is very excited to get the opportunity to work on this project both in terms of working in India and with a big brand like Samsung. None of us had been to India before. Ladakh may not be the India that comes immediately to mind for most people, but it was an extremely evocative place all the same with so much to fascinate and inspire us.

First we had to shake the altitude sickness and figure out how to walk up a flight of stairs without being completely out of breath. After that we could easily see what makes Ladakh and the town of Leh such a popular starting point for visitors who want to explore the Himalayas.

As well as the simple storylines that we had outlined beforehand, we were very keen to capitalise on the character and flavour of the place. We were ably assisted in this by teaming up with an experienced local support team. They pointed us in the right direction and shared some of the many secrets of their home town with us.

We wanted to show in a subtle way how Samsung has a presence even in the most remote communities around the world and how that presence can co-exist without having an adverse effect on the local culture and way of life.

We hope we have succeeded and that you enjoy our film.

(Nils, Neil & Kuiock)

THIS ISLAND IS OURS. Feature Documentary

Posted by on Aug 1, 2016 in DOCUMENTARY, FEATURE | No Comments

The territorial dispute between Japan and Korea over the ownership of the Dokdo/Takeshima islets is not limited to state to state relations. In both countries there are citizens’ groups actively engaged in protesting, lobbying and educating the public. This Island is Ours follows a Korean kindergarten caretaker with a background in student activism and a recently widowed Japanese housewife as they campaign tirelessly for the soveignty of the tiny islets that are currently controlled by Korea, but also claimed by Japan. This film creates a rare insight into the lives of the two activists on both sides by presenting their parallel experiences from a neutral point of view.

This documentary results from collaboration between Seoul based filmmaker Nils Clauss and Wellington based Alexander Bukh, a scholar of international relations of Northeast Asia.

MILLET. M LIMITED S/S 2016

Posted by on Apr 7, 2016 in COMMERCIAL, Promo, Video | No Comments

This is a short video produced by CONTENTED, directed by Jean-Julien Pous and shot by Nils Clauss. The video was made for M Limited Spring Summer 2016, a sportswear division of Millet.